{"id":13370,"date":"2025-04-01T09:35:28","date_gmt":"2025-04-01T07:35:28","guid":{"rendered":"https:\/\/www.fondazionecrt.it\/il-cimam-si-apre-alle-ogr-torino\/"},"modified":"2025-05-07T11:12:11","modified_gmt":"2025-05-07T09:12:11","slug":"cimam-opens-at-ogr-torino","status":"publish","type":"post","link":"https:\/\/www.fondazionecrt.it\/en\/cimam-opens-at-ogr-torino\/","title":{"rendered":"CIMAM Opens at OGR Torino"},"content":{"rendered":"<p class=\"\" data-start=\"87\" data-end=\"419\">The <strong data-start=\"91\" data-end=\"194\">57th Annual Conference of CIMAM \u2013 International Committee for Museums and Collections of Modern Art<\/strong> will open on <strong data-start=\"208\" data-end=\"237\">November 28 at OGR Torino<\/strong>, the innovation and culture hub of <strong data-start=\"273\" data-end=\"291\">Fondazione CRT<\/strong>. Until November 30, <strong data-start=\"312\" data-end=\"366\">Turin will become the international capital of art<\/strong>, welcoming over 300 delegates from around the world.<\/p>\n<p class=\"\" data-start=\"421\" data-end=\"833\">The event, organized by <strong data-start=\"445\" data-end=\"454\">CIMAM<\/strong>, is supported by the <strong data-start=\"476\" data-end=\"529\">Fondazione per l\u2019Arte Moderna e Contemporanea CRT<\/strong> and <strong data-start=\"534\" data-end=\"552\">Fondazione CRT<\/strong>, and curated by the <strong data-start=\"573\" data-end=\"606\">Conference Contents Committee<\/strong>, in collaboration with the <strong data-start=\"634\" data-end=\"672\">Fondazione Sandretto Re Rebaudengo<\/strong>, <strong data-start=\"674\" data-end=\"701\">Fondazione Torino Musei<\/strong>, and <strong data-start=\"707\" data-end=\"756\">Castello di Rivoli Museo d\u2019Arte Contemporanea<\/strong>, with the participation of various museums and institutions across the city.<\/p>\n<p class=\"\" data-start=\"421\" data-end=\"833\">\u201cWe are proud that the 57th CIMAM Annual Conference will open at OGR Torino, a symbol of innovation and cultural experimentation, perfectly aligned with the spirit of this prestigious international event,\u201d said <strong data-start=\"1048\" data-end=\"1068\">Anna Maria Poggi<\/strong>, President of Fondazione CRT. \u201cFondazione CRT, also through the strategic role of Fondazione per l\u2019Arte CRT, is committed to supporting dialogue between cultural institutions and the contemporary art system, recognizing that culture and creativity are essential levers for social and cultural development. The return of CIMAM to Italy, with an outstanding program curated in collaboration with Fondazione Sandretto, Fondazione Torino Musei, and Castello di Rivoli, is a valuable opportunity to strengthen the positioning of both the country and the city on the global artistic stage.\u201d<\/p>\n<p class=\"\" data-start=\"1655\" data-end=\"1861\">CIMAM returns to Italy for the first time in nearly 50 years, having last held its conference in the country in <strong data-start=\"1767\" data-end=\"1775\">1976<\/strong> in <strong data-start=\"1779\" data-end=\"1800\">Bologna and Prato<\/strong>\u2014the only edition ever hosted in Italy in more than 60 years.<\/p>\n<p class=\"\" data-start=\"1863\" data-end=\"1955\">The <strong data-start=\"1867\" data-end=\"1917\">2025 CIMAM Annual Conference Content Committee<\/strong> is composed of CIMAM Board Members:<\/p>\n<ul data-start=\"1956\" data-end=\"2366\">\n<li class=\"\" data-start=\"1956\" data-end=\"2039\">\n<p class=\"\" data-start=\"1958\" data-end=\"2039\"><strong data-start=\"1958\" data-end=\"1975\">Chus Mart\u00ednez<\/strong>, Director of the Art Gender Nature Institute in Basel (Chair)<\/p>\n<\/li>\n<li class=\"\" data-start=\"2040\" data-end=\"2094\">\n<p class=\"\" data-start=\"2042\" data-end=\"2094\"><strong data-start=\"2042\" data-end=\"2060\">Kamini Sawhney<\/strong>, Independent Curator, Bangalore<\/p>\n<\/li>\n<li class=\"\" data-start=\"2095\" data-end=\"2206\">\n<p class=\"\" data-start=\"2097\" data-end=\"2206\"><strong data-start=\"2097\" data-end=\"2121\">Malgorzata Ludwisiak<\/strong>, Ph.D., Museum Management Expert, Independent Curator, University Lecturer, Warsaw<\/p>\n<\/li>\n<li class=\"\" data-start=\"2207\" data-end=\"2289\">\n<p class=\"\" data-start=\"2209\" data-end=\"2289\"><strong data-start=\"2209\" data-end=\"2226\">Leevi Haapala<\/strong>, Dean, Academy of Fine Arts, University of the Arts Helsinki<\/p>\n<\/li>\n<li class=\"\" data-start=\"2290\" data-end=\"2366\">\n<p class=\"\" data-start=\"2292\" data-end=\"2366\"><strong data-start=\"2292\" data-end=\"2315\">Victoria Noorthoorn<\/strong>, Director, Museo de Arte Moderno de Buenos Aires<\/p>\n<\/li>\n<\/ul>\n<p class=\"\" data-start=\"2368\" data-end=\"2433\">As well as the directors and curators of the host institutions:<\/p>\n<ul data-start=\"2434\" data-end=\"2751\">\n<li class=\"\" data-start=\"2434\" data-end=\"2518\">\n<p class=\"\" data-start=\"2436\" data-end=\"2518\"><strong data-start=\"2436\" data-end=\"2459\">Francesco Manacorda<\/strong>, Director, Castello di Rivoli Museo d\u2019Arte Contemporanea<\/p>\n<\/li>\n<li class=\"\" data-start=\"2519\" data-end=\"2615\">\n<p class=\"\" data-start=\"2521\" data-end=\"2615\"><strong data-start=\"2521\" data-end=\"2539\">Chiara Bertola<\/strong>, Director, GAM \u2013 Galleria Civica d\u2019Arte Moderna e Contemporanea di Torino<\/p>\n<\/li>\n<li class=\"\" data-start=\"2616\" data-end=\"2692\">\n<p class=\"\" data-start=\"2618\" data-end=\"2692\"><strong data-start=\"2618\" data-end=\"2638\">Bernardo Follini<\/strong>, Senior Curator, Fondazione Sandretto Re Rebaudengo<\/p>\n<\/li>\n<li class=\"\" data-start=\"2693\" data-end=\"2751\">\n<p class=\"\" data-start=\"2695\" data-end=\"2751\"><strong data-start=\"2695\" data-end=\"2713\">Davide Quadrio<\/strong>, Director, MAO Museo d\u2019Arte Orientale<\/p>\n<\/li>\n<\/ul>\n<p class=\"\" data-start=\"2695\" data-end=\"2751\"><strong data-start=\"2755\" data-end=\"2773\">Suhanya Raffel<\/strong> stated: \u201cIn Turin, we hope to propose a dynamic, open, and participatory exercise: a shared reflection on the difficulties of navigating disruptive change while new paradigms emerge in our sector. A case study-based conference, designed to collectively build a toolkit to confront the many challenges that often leave us feeling overwhelmed and powerless in our everyday work as art professionals. Epictetus\u2014the Greek Stoic philosopher\u2014once wrote: \u2018Some things are in our control and others not. Our opinions, motivations, desires, aversions\u2026 in a word, whatever is of our own doing.\u2019 This is precisely what we hope to examine together in Turin: our actions, and the relevance of a practice-based culture to ensure an attentive and intelligent future.\u201d<\/p>\n<p class=\"\" data-start=\"2695\" data-end=\"2751\"><strong data-start=\"3534\" data-end=\"3570\">Patrizia Sandretto Re Rebaudengo<\/strong>, President of Fondazione per l\u2019Arte CRT and Fondazione Sandretto Re Rebaudengo, added: \u201cWe are pleased to host the CIMAM Annual Conference in Turin, where we will develop a collective reflection between the Scientific Committee and guest speakers on how art and culture can still shape our future. Turin has long exemplified the importance of culture to human society. It is a laboratory city where theory becomes practice. Together with the transnational artistic community that CIMAM represents, we want to explore structural transformations in our field, the new beginnings we can envision, and new alliances\u2014including with the economic sector\u2014to ensure art and culture remain central to our society.\u201d<\/p>\n<p class=\"\" data-start=\"4281\" data-end=\"4354\">In the coming months, other official conference venues will be announced.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From November 28 to 30, Turin will become the international capital of art, welcoming over 300 delegates from around the world.<\/p>\n","protected":false},"author":8,"featured_media":6412,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[277],"tags":[347,553],"class_list":["post-13370","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fondazione-crt-group","tag-fondazione-arte-crt-en","tag-cimam-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.fondazionecrt.it\/en\/wp-json\/wp\/v2\/posts\/13370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fondazionecrt.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fondazionecrt.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fondazionecrt.it\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fondazionecrt.it\/en\/wp-json\/wp\/v2\/comments?post=13370"}],"version-history":[{"count":2,"href":"https:\/\/www.fondazionecrt.it\/en\/wp-json\/wp\/v2\/posts\/13370\/revisions"}],"predecessor-version":[{"id":13372,"href":"https:\/\/www.fondazionecrt.it\/en\/wp-json\/wp\/v2\/posts\/13370\/revisions\/13372"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fondazionecrt.it\/en\/wp-json\/wp\/v2\/media\/6412"}],"wp:attachment":[{"href":"https:\/\/www.fondazionecrt.it\/en\/wp-json\/wp\/v2\/media?parent=13370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fondazionecrt.it\/en\/wp-json\/wp\/v2\/categories?post=13370"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fondazionecrt.it\/en\/wp-json\/wp\/v2\/tags?post=13370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}